A Prisoner is Released

Here is an excerpt: 

​She steps inside of a place reminiscent of the Count of Monte Cristo’s solitary confinement prison cell. The concrete walls are bare and grey. The only thing that seems to be missing is the markings on the wall counting the days of his incarceration, as he plots his revenge. She follows along the lonely, tenebrous, arched, cavernous tunnels, past the chair with the two bronze bullets placed on it. In this correctional facility-style atmosphere, as she enters another empty room, it appears to be the end. However, it isn’t. Just as she approaches the windowless wall, another tunnel opening curves into view. Suddenly, she seizes a sculpture of a bronze power tool and smashes it into a woman’s head. Her victim falls over, and her blood trickles onto the cement floor. The killer leans over, inside of this basement of the Sculpture Center, in Long Island City, New York, at Fiona Connor’s Closed for Installation exhibit. As she observes the life leaving the woman’s eyes, she knows that just like the Count of Monte Cristo, she is no longer a prisoner.